December 25, 2024
Xmas
March 31, 2024
A quick summary of Abrahamic religions for Easter
Judaism: a localised faith with a sadistic deity either demanding sacrifices or committing genocide, with the idea that you get punished for eating pork or mixing shellfish with dairy products, or not mutilating the genitals of male infants. And then get sent to hell.
Christianity: a slightly better version where the god character raped a married woman and the resulting child grew up to be an itinerant preacher with a humanistic moral philosophy, and then got executed by the authorities for being popular, but the adherents to his cult gave him superpowers too just to be able to compete with the deities of the time, and have killed each other, ever since the stories about the man were compiled, over slightly different interpretations of what he may have said.
Islam: a later offshoot of the two above, with a new preacher declaring that he is on a divinely mandated mission, which then involves a lot of murderous military conquest. Also the customary punishment of people for eating pork or not mutilating the genitals of male infants, with drinking alcohol and allowing women to dress as they like as added offences leading to being sent straight to hell.
Considering all of the above, Easter may not be that bad since it now largely just means some holiday time with your family and eating a lot of chocolate, but it is still celebrating the gruesome crucifixion of a character presumably based on a real historical person, as if that were a glorious thing and could grant you absolution for anything bad that you've done. In short, at heart quite mentally ill.
November 18, 2023
Why keep a blog going?
May 09, 2021
Just got the wankiest job ad I've ever seen...
and the competition for that is stiff:
Publicis Groupe has identified a unique opportunity to embed intelligence into our Production capability with the introduction of a new and innovative role called the Data Translator. The role has already proven initial success with a recent pitch win with a consumer healthcare brand, and has the potential to unlock new, untapped opportunities for clients. By being both reactive to insight and responsive to unforeseen trends, the Data Translator will influence the creative production process in a new and impactful way. In collaboration with the Production Accelerator, the Data Translator sits at the heart of the creative production process as one of two new ‘hybrid’ roles, enabling the flow of insight through the entire production process, from creative development and asset management through to audience targeting and media performance. Moreover, with increased focus on insight and optimisation, the Data Translator can empower the cross-functional team to deliver increased media effectiveness and efficiency while reducing creative waste and cost per asset. Knowledge of production process, omni-channel data expertise, and experience of media activation is critical to the role with a unique selling point focused on integration of creative asset, production usage and media performance data. This integration will provide a new depth of understanding on what creative assets are produced, how they are used and the performance they deliver as well as insight into asset decay and wear out over time. The Data Translator will need to collaborate with a range of partners as well as internal and client stakeholders to enable the necessary data integration and access additional data sources. This includes working with media operations and the production team to ensure the necessary data taxonomies are defined, implemented and cascaded to brand/market teams. It also means collaborating with insight and IT teams within the client organization to access consumer, social and digital insight. The insight derived from the data, combined with ongoing test and learn focused on audience, creative and asset performance, will provide a level of intelligence that is unique to our offering.
October 06, 2020
Trump did not have Coronavirus, did he?
I no longer want Trump assassinated. Castration live on air without anaesthetic would certainly be an acceptable option, and every American who voted for him should be barred from ever leaving their shores again...if only either were achievable. This has all had the unfortunate side effect that when you see Johnson on TV, for all his self-involved bluster and hopelessness, you just think "Oh, bless. At least we've just got an utter twat in charge."
July 21, 2020
All paedophiles are white
June 12, 2020
Po-faced over blackface
The fact that they've now pulled Little Britain, The Mighty Boosh and The League of Gentlemen from Netflix, and in some cases even from the BBC's iPlayer, that's what. Why? Because absurdist white comedians who have no compunctions about offending all and sundry had the gall to don blackface for some of their comic characters. Therefore, this equates directly to Al Jolson, The Black and White Minstrel Show and dear old 'some of my best friends are black'-style Nazi Jim Davidson doing Chalky back in the dark ages, when TV was still rife with his ilk.
Of course, nope. It has been widely stated that we now have two competing viruses, one medical and the other social, but the latter is not racism. It's the insidious and uncontrolled spread of a belief that the virulently systemic racism of the American police force, and to an extent U.S. society as a whole, is something that people in this country have thus far failed to spot here, but it must be there because racial prejudice does exist here too, and therefore the situation must be rectified. This is still fine when a statue of a slavery profiteer, which should really have been taken discreetly away for 'renovation' a long time ago and then forgotten about somewhere deep and dusty to avoid any anti-PC nationalist backlash either, is thrown into the harbour. Mind you, my choice, and thankfully paralleled by that of some other longer-sighted individuals, would have been to simply stick a big plaque in front of the thing explaining the man's noxious misdeeds in full, and likewise with any of the other statues now being targeted, all the way to Churchill. Attempting to erase all historically significant figures who had shitty character traits is akin to erasing the history that led us to where we are, and that isn't far off burning books.
But locking away the aforementioned comedy shows is indicative of something quite different and alarming: it's simply anti-intellectualism from those unable to differentiate between laughing at people different from us and laughing at ridiculous racist stereotypes, which is all the shows in question do. It's a ban on satirising certain groups in society, for fear of causing offence, and therefore an attack on free satire itself. Chucking the real, unquestioning racism of Gone with the Wind in the same basket speaks volumes about the depth of analysis that is behind these decisions. Presumably, everything by Sacha Baron-Cohen is up next, starting with Ali G. To his credit for once, one-time cheeky chappie turned all-round misanthrope Harry Enfield refused to bow down and apologise for his past blackface characters. If comedians have any political duty at all, it's to mock that which is worthy of mockery, not to preach or educate.
I don't do protest marches as a rule, as I'm truly lazy and also because I find they easily turn tribal and simplistic, but if we go any further down this path, I'm off on an essential shopping trip to get what I need to make crappy placards.
EDIT: Today, they also pulled the episode of Fawlty Towers where the gin-sozzled Major spouts some racist epithets. So even laughing at racist characters is verboten now. As all his abovementioned comic successors can be argued to have done, John Cleese may have wanted to have his cake and eat it by cleverly lampooning racism while allowing bigots who didn't get that they were the target to believe that they were being represented too, but the point still stands.